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<metadata>
  <identifier>EnergyLevels1983ByJoeyBargsten</identifier>
  <title>Energy Levels (1983) by Joey Bargsten</title>
  <creator>Joey Bargsten</creator>
  <mediatype>audio</mediatype>
  <collection>opensource_audio</collection>
  <description>&lt;a href="http://www.archive.org/search.php?query=bargsten" rel="nofollow"&gt;&lt;i&gt;More projects by the composer&lt;/i&gt;&lt;/a&gt; • &lt;a href="http://www.badmindtime.com" rel="nofollow"&gt; &lt;i&gt;Digital Media Projects&lt;/i&gt;&lt;/a&gt; • &lt;a href="http://www.amazon.com/s/ref=nb_ss_gw/103-3867972-7838209?url=search-alias%3Ddvd&amp;field-keywords=bargsten&amp;Go.x=0&amp;Go.y=0&amp;Go=Go" rel="nofollow"&gt;&lt;i&gt;DVDs by the composer&lt;/i&gt;&lt;/a&gt;&#13;
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Yes, folks, it's the 25th anniversary of my first piece for live ensemble and Walkman, &lt;strong&gt;&lt;em&gt;Energy Levels&lt;/em&gt;&lt;/strong&gt; (1983) for flute quartet. &#13;
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&lt;em&gt;&lt;strong&gt;E&lt;/strong&gt;&lt;strong&gt;nergy Levels&lt;/strong&gt;&lt;/em&gt; first presented a notion I developed and revisited in dozens of other pieces, from my first little chamber opera &lt;em&gt;sound chaser/soul chaser&lt;/em&gt; (1986), to my latest little digital media opera &lt;strong&gt;&lt;em&gt;&lt;a title="anatomy" href="http://www.badmindtime.com/opera" rel="nofollow"&gt;Anatomy of Melancholy&lt;/a&gt;&lt;/em&gt;&lt;/strong&gt; (2005). Throughout the years, the artfully touchy Sony Walkman* was replaced by portable CD players and iPods, and the ensembles asked to participate in this madness varied from instrumentalists and vocalists, to actors, actresses, dancers, and unsuspecting students.&#13;
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Where did I get this idea? My oprah-aha-moment occurred in Sheeps' Head Cafe, in Iowa City, IA, in early spring '83. The upstairs of the cafe was mostly deserted when I sat down to my cup of their signature tomato soup. In either corner were two students, both into their studies, both listening to their Walkmen. Then, they started humming - two different songs, two different tempos! I was transfixed!&#13;
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This whole idea of hijacking pop consumer technology as a cheap way of distributing audio 'parts' (i.e., click or tempo tracks, pitch tracks, texts, and performance instructions) was probably the only original idea I've ever had * *. And for you sober scholars out there, I would argue that this was my small way of engineering a delicate, slow-motion car crash between Minimalism and Modernism. I was into completely un-doing or dissolving a carefully crafted musical vocabulary right before your ears, right in the middle of a piece.&#13;
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*  Tape speed accurate to within 6% -- plus or minus 14 seconds over the course of a six-minute piece, like&lt;em&gt;&lt;strong&gt; Energy Levels&lt;/strong&gt;&lt;/em&gt;).&#13;
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* *  Well, ok, this, and the dancing butt figures of &lt;em&gt;&lt;strong&gt;&lt;a title="ad circus" href="http://www.badmindtime.com/HTML/adcircus.htm" rel="nofollow"&gt;Advanced Circus&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt; from the late '90s.</description>
  <subject>Joey Bargsten; flute quartet; walkman; experimental; multiple timelines; multi-temporal</subject>
  <licenseurl>http://creativecommons.org/licenses/publicdomain/</licenseurl>
  <publicdate>2008-09-20 21:33:01</publicdate>
  <addeddate>2008-09-20 21:30:33</addeddate>
  <uploader>astonishmedia@yahoo.com</uploader>
  <updater>JoeyBargsten</updater>
  <updater>JoeyBargsten</updater>
  <updatedate>2008-09-20 23:21:17</updatedate>
  <updatedate>2008-09-21 02:23:59</updatedate>
  <updatedate>2008-09-21 02:27:53</updatedate>
  <updater>JoeyBargsten</updater>
</metadata>
